![]() It goes without saying that to accentuate her feminine aspect, Mia Wallace has elongated eyelashes at eye level on the POP. Mia being notorious for her dance scene with Vincent, it goes without saying that Funko opted for a POP of Mia Wallace dancing! Indeed, the figurine of Mia Wallace presents her starting a twist like the one danced during the evening at the restaurant where the Milk Shake is sold for 5 dollars. Thus, on the POP, Mia Wallace is wearing a wig of straight black hair, a white blouse and matching black canvas pants. Mia Wallace, all things considered, is a woman too casual for the good of those around her.The Funko POP figure of Mia Wallace represents her as she is dressed during her journey with Vincent Vega. What he will manage at the end of an improbable scene. Vincent, then, will move heaven and earth to find the means to save her in order not to attract to him the wrath of Marcellus Wallace. She is rather mysterious and breathtakingly. Mia Wallace is the wife of Marsellus Wallace. Intrigued by why Marsellus Wallace would throw another man out of a 4th story window for for giving his wife a foot massage, Vincent Vega poses the big quest. Mia Wallace, however, once back home, will overdose. Mia Wallace is a fictional character from the film Pulp Fiction. On this occasion, Vincent Vega, played by John Travolta, will revive some of the choreography of the time when he was known for his dancing roles. After having chatted about everything and nothing, linking dialogues whose richness and simplicity are skillfully combined, Mia Wallace will ask Vincent to come and dance with her. ![]() Once having made the meeting of his "bodyguard" for a few days, Mia Wallace will then drag him with him in a Diner whose theme of the decoration is based on the Sixties. This one being more used to the missions of assassinations will find himself relatively distressed. He entrusts the task of watching over her and even entertaining her to his henchman: Vincent Vega. When Marcellus Wallace leaves on a trip, he decides not to leave his wife alone. Factious, a bit capricious and especially quick to provoke, she is a difficult woman to manage. Mia Wallace, neglected by her husband, Marcellus Wallace, who is busy with his criminal affairs, lives alone quite often. ![]() As the wife of a particularly wealthy mobster, she lives a princess-like life behind the walls of her huge house. ![]() She will also occupy one of the few female roles in a film known for its violence and its incursions into a crime syndicate was fictional.Īlso, in Pulp Fiction, Mia Wallace is not a criminal but the wife of one of the most notorious mob bosses in Los Angeles. But before occupying a leading role without sharing, on the occasion of Pulp Fiction, she will share the poster with Samuel L. Indeed, shortly after playing the role of Mia Wallace in Pulp Fiction, she will play the lead role in Kill Bill 1 and 2, a role for which she will remain known throughout her career. Furthermore, it’s embodied – completely and utterly – by Mia Wallace.Mia Wallace is played here by Uma Thurman, an actress that Quentin Tarantino then largely contributed to make known to the screen. Sir Hardy Amies once said, “a man should look as if he has bought his clothes with intelligence, put them on with care and then forgotten all about them.” It’s a frequently overlooked fact that Sir Amies was first and foremost a women’s couturier, rather than a men’s fashion designer, and this quote is as applicable to women as it is commonly applied to men. It’s the highly feminised cut that makes it work, but also the way Thurman wears it. It would be oversized, sloppy and look completely out of place. Imagine if Mia Wallace was sat in Jack Rabbit Slim’s in one of her husband’s double-cuffed business shirts. On paper it’s a plain white shirt, uninteresting and arguably unoriginal, but the way this particular shirt fits, with its subtle-sharp cut and discreet detailing, elevate it from pedestrian to iconic. It’s a masterclass in how paying attention to the fine details on even a very simple piece of clothing can transform your look – whether on or off-screen. Like the cuffs, the hem finishes with an angled point too, complementing the sharpness of Wallace’s fringe and wit. Unlike a classic men’s dress shirt, it was designed to be worn untucked, and in the film its slim cut around the chest and torso makes way for a slight flare out over the waist creating a flattering hourglass silhouette.
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